197: Philip Lassiter

Philip Lassiter unravels his journey starting out a preacher’s son in Mobile, Alabama to the top of the mountain as one of the first call horn arrangers and trumpet players for top notch musicians (including Prince, Ariana Grande, Kirk Franklin, Timbaland, Roberta Flack, Jill Scott, Anderson. Paak, Queen Latifa, Al Jarreau, Fred Hammond, The Isley Brothers, and many more). Why does he get called so much? “People ask me how did you get this gig or that gig. I always tell them, ‘I didn’t get the gig. The gig got me.’”

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196: Julian Lage

Guitarist Julian Lage on his new record, Squint (his first on Blue Note), how he handled youthful exceptionalism (he was a child prodigy), the connection between the artist and the audience, his philosophy of record making, and how he thinks about notes as having the weight of speech. He says, “I want it to feel like I’m talking to you when I play.”

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195: Michael Mayo

Singer-composer Michael Mayo on managing his relationship with social media, which he describes as finding the “balance between staying sane and being seen”, the subtle space between practice and performance, live looping, bi erasure, the “syllables discussion” in jazz singing, generational trauma, his new record Bones, discernment, and living a life authentically without labels.

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194: The Art Of Conversation

How seven years and nearly 200 episodes of podcast interviews inspired the record The Art Of Conversation. Excerpts of conversations with Amy Cervini, Andre De Shields, Jorge Drexler, Kat Edmonson, Kurt Elling, John Fields, Larry Goldings, Tatum Greenblatt, Ryan Keberle, Jo Lawry, Orlando le Fleming, Adam Levy, Howard Levy, Anya Marina, Matt Munisteri, Ricky Peterson, Becca Stevens, Doug Wamble.


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192: SG Goodman

Singer-songwriter SG Goodman on growing up in a farming family in Western Kentucky before becoming a beacon for the progressive south, how music in many ways saved her life when she had to leave her farm life behind, and also gave her a way to honor her family’s southern storytelling tradition, and how to maintain that Old Time Feeling (also the name of her debut album) in a modern world.

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189: The Covid Chronicles, Vol. 1 Reunion Episode

In March 2020, just as the world was closing under the advancing cloud of Covid 19, I spoke to a handful of musician friends from around the world to hear how they were doing and to explore some of the pressing questions around the shutdown and the arts.

One year later, I check in with (almost) all of them to hear what the last year has been like for them, what were the challenges and opportunities of the first Covid year, and how they see the future.

Italian singer Gege Telesforo, saxophonist John Ellis, bassist Joe Dart (sort of), guitarist Adam Levy, trombonist Ryan Keberle, artist manager Andrew Leib, singer songwriter Victoria Canal, artist and advocate Ari Herstand, guitarist Lage Lund, mud trudging songwriter Joy Dragland and funk magician Charlie Hunter (in his way) all weigh in.

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188: Leila Cobo

Journalist, writer, novelist, television show host, and the editor of Latin music coverage for Billboard magazine, Leila Cobo on her journey from classical musician (she moved from Colombia to the USA to study piano performance) to one of the world's foremost experts in Latin music, and her new book Decoding Despacito.

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187: Imogen Heap

Imogen Heap on some of the major moments in her storied career. “I’ve just done so many random things,” she says. Like making her first record when she was a teenager, forming Frou Frou with Guy Sigsworth and their unlikely post-factum success, writing the song “Hide and Seek” and bearing witness to its many lives; working with Taylor Swift and with Jeff Beck, composing the music for Harry Potter and the Cursed Child, inventing new instruments and tech tools, and being a mom.

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185: Eric Harland

Drummer Eric Harland tells his incredible story of growing up in Houston and how he came to weigh 400lbs by the time he was 16 (he eventually lost the weight in college), attending the Manhattan School of Music, becoming an ordained minister, living with singer Betty Carter during the last year of her life, learning from legendary mentors, and exploring “time”. He also shares his thoughts on practice, community, natural wine, and what you can learn about a person by how they drive.

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183: Billy Martin aka illy B

Drummer, visual artist, filmmaker, teacher, composer, record producer Billy Martin on power of sincerity in music and in life, the importance of staying curious and being playful, what he calls the “world music view”, how “when you’re experimenting there is no such thing as perfection,” the similarities between music and visual art, why Instagram is such a useful tool for self expression, and what it means that "art is activated by the receiver".

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182: Andres Levin

As Andres Levin will tell you, even he has trouble explaining his career and life in a succinct, organized, bite sized way. He’s a record producer, bandleader, filmmaker, composer, philanthropist, New Yorker, Venezuelan, Jew, funk practitioner, latin soul ambassador, big picture guy with a granular understanding of the mechanics of the business for over 30 years. Here he talks about learning how to produce, being comfortable in any room, discovering soul culture, programing synthesizers, and the mysteries mathematics of The Funk.

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181: Rexx Life Raj

Singer, rapper and entrepreneur Rexx Life Raj on his new EP California Poppy 2 (incidentally that is also the name of his new line of Cannabis products), growing up in Berkeley, discovering the world from the back of his parents’ delivery van, managing success & guilt, diversification, playing college football, finding the lane, building a brand, traveling around the world and giving back to his community.

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179: Johnny Brennan (The Jerky Boys)

Johnny Brennan of the Jerky Boys on how he developed his characters, why his career was an unexpected success, the role of improvisation in his prank phone calls and how he knows when it’s a good one, what makes a classic skit, and why this was the right time to launch a comeback.

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comedyLeo SidranComment