Singer-songwriter David Poe is a kind of Zelig-like figure who appears where you least expect him, and somehow manages to fit right in wherever he shows up. Talking to Poe, one is reminded that at their best, songwriters are popular philosophers. Rather than creating a diversion from everyday life, they illuminate the human struggle, and elevate the human experience. Here he talks about his philosophy on song-craft, collaboration, art and commerce, New York in the 90s (he worked at CBGBs Gallery for years) and why his new motto is “don’t hate fun”.
Read MoreJon Lampley knows how to “get in where you fit in.” He’s been doing it since he was a boy in an Ohio suburb, spending his week as “the only black kid at school” and his Sundays at Apostolic church in Akron, learning to play gospel music and call the spirit down. We spoke recently about growing up in two worlds, learning to play “unnecessarily soulful melodies” and call on the deep well of musical emotion that he learned in church, what he looks for in a collaborator and why he thinks he gets called so much, how he practices and prepares, and why “music is the vehicle.”
Read MoreDrummer Michael Bland on his early development in Minneapolis, the “guilt by association” of working with Prince, getting the gig, keeping the gig, losing the gig, recovering from the gig, confronting racial politics in Minneapolis, playing music with “endless potential”, his first time flying on an airplane, keeping the flame lit on local music, and much more.
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