Singer-composer Michael Mayo on managing his relationship with social media, which he describes as finding the “balance between staying sane and being seen”, the subtle space between practice and performance, live looping, bi erasure, the “syllables discussion” in jazz singing, generational trauma, his new record Bones, discernment, and living a life authentically without labels.
Read MoreReflections on the life and legacy of Clyde Stubblefield, sometimes called the world’s most sampled drummer, on the occasion of what would have been his 78th birthday. Including interviews and live recordings with him going back to 1972.
Read MoreSaxophonist Bob Reynolds, at the crossroads of what’s happening and where am I going, on his influences, approach, playing with Snarky Puppy, John Mayer, the subtle but significant distinction between practice and the practice, what it means to make music with sincerity, and finding himself on tour in Spain and Italy last March just as Covid was descending on Europe.
Read MoreIn March 2020, just as the world was closing under the advancing cloud of Covid 19, I spoke to a handful of musician friends from around the world to hear how they were doing and to explore some of the pressing questions around the shutdown and the arts.
One year later, I check in with (almost) all of them to hear what the last year has been like for them, what were the challenges and opportunities of the first Covid year, and how they see the future.
Italian singer Gege Telesforo, saxophonist John Ellis, bassist Joe Dart (sort of), guitarist Adam Levy, trombonist Ryan Keberle, artist manager Andrew Leib, singer songwriter Victoria Canal, artist and advocate Ari Herstand, guitarist Lage Lund, mud trudging songwriter Joy Dragland and funk magician Charlie Hunter (in his way) all weigh in.
Read MoreDrummer Eric Harland tells his incredible story of growing up in Houston and how he came to weigh 400lbs by the time he was 16 (he eventually lost the weight in college), attending the Manhattan School of Music, becoming an ordained minister, living with singer Betty Carter during the last year of her life, learning from legendary mentors, and exploring “time”. He also shares his thoughts on practice, community, natural wine, and what you can learn about a person by how they drive.
Read MoreMulti instrumentalist, singer, songwriter, arranger, video maker, surrealist, funk monkey, producer and personality Louis Cole on where he came from, what he’s doing now, and where he hopes to go. Along the way he touches on writing “nostalgic music that feels almost like a memory of something that never happened”, overcoming fear, being a better person, staying up late into the weird part of the night, “insanity music”, money, honesty, humor, the problem with 100bpm, YouTube Poop, and what Nate Wood, David Binney, Bob Mintzer, and Jack Conte have to do with any of it.
Read MoreBen Sidran and I discuss the results of the 2020 election and how it relates to the beauty of old things, Tikun Olam (the Jewish concept of healing the world) as a response to a universal call from deep in the frontal cortex, “The cruelty of our own DNA”, Chaos theory, the future of small jazz clubs, and how “we are all survivors of chaos”. Plus, Les McCann’s recording of the song “Maxie’s Changes” (with the largely unknown tenor saxophone player Frank Haynes).
Keyboard master and singer-songwriter-bandleader Cory Henry on his early development playing music in church, learning to make music on Saturday night and on Sunday morning, how losing his parents at a young age affected his life and career, his experiences playing with saxophonist Kenny Garrett (Cory toured with Garrett at age 18), Snarky Puppy, and The Funk Apostles. Along the way he gives a master class on some of his favorite Gospel music, and an introspective explanation of much of the material on his new record.
Read MoreMusician, bandleader-arranger-composer, and YouTuber Brian Krock on the role of critical analysis in music, the “unintended consequences of the capitalist nature of music education,” what it means to improvise like a composer, how reading James Joyce influenced his relationship to listening to and writing music and led him to “create artwork that invites people to put forth some effort,” why he loves “to be actively involved in things that you're a beginner at,” his concerns about his “own memory and the world’s ability to focus,” and what happened to him after playing over 1000 performances of Dirty Dancing The Musical.
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Trumpeter Philip Dizack (named by Downbeat Magazine as “[one of twenty-five] Trumpet Players for the Future”) on how he thinks about playing, teaching (“preparing for teaching is the most helpful thing that I’ve ever done for myself”), practicing (“the more specific your questions are, the more specific your answers will become”), potential (“I hear so far beyond what I’m capable of doing right now”), and perspective (“if our perspective is right then we’re always in complete humility”).
For the second year in a row, I talk to my dad, musician/producer/journalist/philosopher Ben Sidran in honor of his birthday. This time he’s turning 77, and we consider his recent projects, including the books The Ballad of Tommy LiPuma and There Was A Fire: Jews, Music and the American Dream, and his latest single “Who’s The Old Guy Now”.
Read MoreGuitar player, songwriter, producer Eric “Kraz” Krasno on what he’s doing during these strange and trying times, his experience as a podcaster, producer, and provider of deep and soulful grooves, the development of Soulive, Lettuce, & Velour Recordings, the values and expectations of jam and jam band audiences, “the boom bap with interesting chord changes”, learning how to do less and better, and how many times one man can say the word “nugget” in an hourlong interview.
Read MoreDrummer Jochen Rueckert on his early years in Germany, why playing with great bass players is like eating great pasta, refusing to share hotel rooms, why he is a reluctant teacher, making electronic music, the rare innate heart condition he suffers from, how to groove with organ players, organizing tours, why one should never play with pop musicians, what it was like to play one gig with Pat Metheny, what he’s thinking about when he performs, drummer Bill Stewart’s time feel and volume level, Artificial Intelligence, the years he spent at Nublu in the Lower East Side of Manhattan, and much, much more.
Read MoreSaxophone player and composer Rudresh Mahanthappa on his new record "Hero Trio", his early musical development, the journey through music schools, cruise ships and merengue bands that ultimately led him to New York, exploring one’s personal identity through music, teaching jazz in a non conservatory environment, Sesame Street, and why “just because you’re improvising doesn’t mean you’re playing jazz”.
Read MorePianist, composer, conceptual artist Jason Moran on truth versus passion, promoting the “Freedom Principle”, America’s unfortunate way of forgetting the past, when innovation becomes rhetoric, what it means for African American musicians to move freely “from the stage to the table”, the power dynamic in choosing repertoire, coming up in Houston among a generation of jazz innovators, what we still have to learn from Louis Armstrong, and what it means to be the “personal embodiment of your history”.
Read MoreBassist Orlando le Fleming on how to get a sound on the bass, why he puts “rhythm before notes”, what were the advantages to starting his career in England, when it’s to leave New York, who were his mentors, the “jazz struggle” and why “groove comes from culture.”
Read MoreSaxophonist Richie Cole died on May 2, 2020. He lived a jazz life all the way. His playing, his demeanor and his philosophy were all contained in his catchphrase / modus operandi: Alto Madness. This episode revisits conversations with him over the years, as well as a recent chat with singer Janis Siegel about her friendship with him, and some newly unearthed live performance recordings of Richie with singer Eddie Jefferson, captured just days before Jefferson was killed after a gig with Richie in Detroit.
Read MoreSinger and songwriter Becca Stevens has the ability to make you feel like you know her even when you only know her work. Here she talks about “dancing with the critical voice”, looking for silver linings, “the whole money thing” and a newly born pack of baby ducks out her window. Plus she discusses her new record, Wonderbloom.
Read MoreJosh Norek is a difficult man to define. He is generally a behind the scenes kind of guy (record label exec, artist manager, music conference co-founder, radio host) but every now and then he steps into the spotlight with his band Hip Hop Hoodios. Here he talks about releasing new music during a pandemic, how he approaches his collaborations, and the secrets of securing Spotify playlist placements.
Read MoreVery few songwriters develop the kind of skill and status that Ron Sexsmith has. He’s a songwriter’s songwriter. He writes the songs that the rest of us wish we were writing. He does it consistently, carefully, quietly. If you know who he is, then you know what a deceptively brilliant songwriter he is, and you recognize his singing: at times sweet, other times plaintive or plainspoken. Here he talks about his new album, his process, his career, and how he finally came to own a house.
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