Singer-songwriter-guitarist Camila Meza on growing up in Chile, the nature of translation, improvisation, self observation, bootleg videotapes, identity, cruise ship living, synesthesia and distortion.

Ryan Scott on his love affair with an 8 track cassette recorder, crossing the “jazzy line”, “keeping things open”, moving to New York right out of high school and falling in with a crowd of itinerant musicians who taught him how to “roll cigarettes and drink beer”, and what it’s like inside his head.  

Writer and scholar Jeremy Dauber on his book Jewish Comedy: A Serious History, how comedy evolves through context, the “complicated relationship of ownership and loss” among contemporary Jewish comedians in America, what’s so funny about fart jokes, and whether or not it’s possible to hide inside an apple pie.  

Singer, songwriter, composer, writer Peter Himmelman on finding “beauty in tragedy”, confronting “the harsh architecture of now”, and unpacking questions of ergonomics, economics, loss, discovery, desire, faith, fearlessness, impermanence, songwriting, real estate, college tuition, doing meaningful work, and performing naked.

Richard J. Davidson had an intuition early on: the mind was fundamental to the human experience. “If we wanted to promote a different way of seeing the world, we needed to change our minds.” Here he outlines his personal journey and how it intersects with his work, why he sees this as a crucial moment for humanity and what mind training can do to help, why “reality is a movie”, how his relationship with the Dalai Lama has informed his choices, what it means to meditate with compassion, and what jazz bassist Charles Mingus has to do with any of this. 

Chris Potter is an incredibly influential saxophone player. Downbeat Magazine has called him “one of the most studied (and copied) saxophonists on the planet”. In this introspective and philosophical conversation he talks about art, the search for something new, what motivates him today, what he sees as his role, responsibility and contribution to the history of jazz.

Writer David Maraniss on his process, approach, technique, and the values that inform his work. What does it mean to be a nonfiction story teller?  Where does he feel most at home? When is it time to go swimming? Why is the lost art of letter writing so important to historians. Can we really ever really know what someone else is thinking? 

The multifaceted Ben Sidran on falling in love with bebop as a young boy, counter culture in the 1960s, jazz as a form of journalism, how to get paid like a musician, his proudest moments, writing a misunderstood rock and roll anthem, getting to Carnegie hall, facing fears, and what he learned from his heroes.

In this textured, rollicking, mezcal fueled conversation recorded on a hot summer night in Brooklyn, Richard Julian tells the story of how “a blue collar boy from Delaware” came to be one of the most celebrated songwriters of his generation in New York, watched some of his friends get famous and others get lost, and end up negotiating the ever shifting Brooklyn demographics as a club owner in Bed Stuy.

Donald Fagen on what’s so punk about Steely Dan, what’s so sweet about bebop, why making his first solo record was so personally disruptive to him, when he decided to finally grow up, and who he never wants to see again.